Sashiko Reveal: Mermie's Cabin

Good morning, fellow Endeavourers. Before I show you my finished quilt, let me tell you first about Plan A. When this prompt was announced, we’d just returned from our trip to Alaska. While we were in Alaska, we were fortunate to be among the 30% of visitors who actually get to see Denali. This was a picture I took when we pulled off the road.

I spent some time perusing Pinterest, looking for inspiration. Some of the images I saw on Pinterest made me wonder if I could recreate my image of Denali using the sashiko technique. So I printed my image onto a sheet of Sticky Fabri-Solvy and went to work on it. I’d planned to stitch parallel running stitches in the various colors from the image.

After stitching on it for a few days, I started having doubts about whether this was going to work. Without some kind of outlining, I didn’t see how it would ever look like anything other than a bunch of random stitches. I hadn’t decided to give it up yet, but I was thinking about what else I might do. 

Randomly one evening, I was in our spare bedroom where this watercolor painting hangs on the wall.

It was painted by my husband's grandmother. Her name was Olive Riddle. We called her "Mermie." In the post I wrote on my personal blog, I went into some detail here about Mermie. If you're interested in the more detailed version of this reveal, you can read my blog post right here.

So, as I looked at the watercolor on the wall, I could envision it in stitching. I had an idea to outline the main subjects in stem stitch, and then fill in the interiors with different sashiko patterns. I took a picture of her painting, and then printed it as a photograph. 

In preparation for this project, I'd already purchased some sashiko templates. I used them for inspiration and then as guides to help me trace the stitching patterns I wanted to use.

Then I traced the design onto fabric.

And then I just stitched and stitched and stitched until it was finished. I only had a loose plan about how to stitch various sections, and made some decisions as I went along.

When it was finished, I trimmed it very close to the stitching, and then added borders. The pattern in the gray batik seemed just right for this piece dedicated to sashiko.

And then I quilted it on my domestic sewing machine by stitching very, very close to the stem stitching. The quilting is mainly functional, but it also gave some texture to the piece.

When the quilting was finished it looked like this from the back.

All that was left to do was to add the binding. Here is my finished quilt. It measures 15 x 17.5 inches.

Here's how it looks from the back.

Here’s a closer look at the stitching.

And now, it is hanging with the watercolor cabin that Mermie painted.

Thanks for visiting today. I hope you like my quilt.